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        <title>Rhizome.org Announcements</title>
        <description>Rhizome.org Recently published Announcements</description>
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       <dc:date>2008-11-21T16:00:02+01:00</dc:date>
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        <dc:date>2008-11-21T14:32:48+01:00</dc:date>
        <title>Furthernoise issue November 2008.</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/460844550/52382</link>
        <description>[b]Furthernoise issue November 2008.[/b]&lt;br /&gt;
&lt;br /&gt;
Welcome to the November issue of Furthernoise. In what has been a truly momentous year for all sorts of reasons, we are proud to finish it off with a brand new issue stacked to the gunwales with new releases and an audio player restocked with new tunes to take you through into the new year. Furthernoise is the sister site of www.furtherfield.org&lt;br /&gt;
&lt;br /&gt;
Furthernoise issue November 2008&lt;br /&gt;
http://www.furthernoise.org/index.php?iss=71&lt;br /&gt;
&lt;br /&gt;
"The Birth of Primary Cinema from the Spirit of Sound - Feature Article by Frank Rothkamm" (feature) Primary Cinema remains cinema, it is not painting or staged photography. It is comprehended as a sequence of images with sound which ultimately constructs its meaning. It de-emphasizes change and reduces bright-ness and distributes events on a galactic scale, but despite its apparent emptiness it remains true cinema as the marriage of projected images and sound in space and time.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=273&lt;br /&gt;
feature by Frank Rothkamm&lt;br /&gt;
&lt;br /&gt;
"The Gyres, Between Nowhere and Goodbye, The End of Everything" (feature)&lt;br /&gt;
Cathal Rodgers moonlights from his grubby guitarings with Irish doom-mongers Wreck Of The Hesperus as Wereju. Moonlight is apposite in application to Wereju, less evil more eerie twin, drawing out long rays of wild half-lit nightshade shimmer over grey evacuated fields, a sound described by the artist as "ageless drifting melancholia of an abandoned planet".&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=261&lt;br /&gt;
feature by Alan Lockett&lt;br /&gt;
&lt;br /&gt;
"A Ritual Which is Incomprehensible (to the smile of Pauline Oliveros) - Claudio Parodi" (review) The second in an ongoing series of conceptual works by Claudio Parodi sourcing and manipulating music from Tiziano Milano's Suoni CD (2005), not so much to remix but as staple material for processing in the studio. This time as with the last, the album is dedicated to a well known sound artist, and Pauline Oliveros is the chosen one on this occasion.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=272&lt;br /&gt;
review by Roger Mills&lt;br /&gt;
&lt;br /&gt;
"Bedside Stories - Taub" (review)&lt;br /&gt;
Bedside Stories is the new release by Taub, aka Me Raabenstein and Harold Nono. It is a work of haunting sonic landscapes and fragmented realities, glued together with precision and beauty. It will lull you into worlds of spacious minimal sounsdcapes and sonic cinematic journeys, which constantly resolve back to a single sound event or just quiet.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=271&lt;br /&gt;
review by Roger Mills&lt;br /&gt;
&lt;br /&gt;
"Document 2 - Sevenhourgerm" (review)&lt;br /&gt;
Document 2 by Sevenhourgerm aka Matthew Atkins is a CDR including nine experimental tracks released on the Minimal Resource Manipulation label. Found sounds and noise are crafted into varying degrees of coherency, with rhythm and melody flirting at the edge of perception.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=276&lt;br /&gt;
review by Alex Young&lt;br /&gt;
&lt;br /&gt;
"Electronic Drifting: The Music of Richard Lainhart" (review)&lt;br /&gt;
Many contemporary musicians take their inspiration from natural processes. Richard Lainhart's musical models come from clouds, flames and waves, whose nebulous and ever shifting formations are the catalyst for his beautiful electronic works.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=262&lt;br /&gt;
review by Caleb Deupree&lt;br /&gt;
&lt;br /&gt;
"Imperfect Silence - Various" (review)&lt;br /&gt;
Imperfect Silence is a radical collaboration between artists working together purely online. Global boundaries and cultural differences make way for free jazz and diverse sonic improvisation, as Phil Hargreaves edits together the material to provide a personal narrative of Cadavre Esquis.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=275&lt;br /&gt;
review by Alex Young&lt;br /&gt;
&lt;br /&gt;
"Italian Noise Label Dokura Serves up 3 Mini Cdrs" (review)&lt;br /&gt;
Dokura is an Italian noise label that releases limited edition tapes, 3 inch CDRs and the occasional vinyl lp from a variety of international artists. With 10 releases to date, the little label seems to be aiming at noise of the instrumental variety swinging closer to the lo-fi dark ambient drone.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=269&lt;br /&gt;
review by Derek Morton&lt;br /&gt;
&lt;br /&gt;
"Lost Hilde - Stray Ghost" (review)&lt;br /&gt;
The releases on Highpoint Lowlife switch genres like someone channel surfing through alternative music TV. Lost Hilde adds yet another station to the programming, and an engrossing one at that. Everything begins as a smooth midnight cruise through glitched and looped synthetic sounds.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=270&lt;br /&gt;
review by Max Schaefer&lt;br /&gt;
&lt;br /&gt;
"Sympathetic Vibration - Marcus Jones" (review)&lt;br /&gt;
Often, recordings exist as complete works in themselves, or as documents or mementos of a live performance. Sympathetic Vibration is one of a rapidly expanding body of works that do not fit easily into either category, blurring the boundaries between recorded materials and live event. Stacey Sewell chats to its creator, phonographer and sound designer Markus Jones.&lt;br /&gt;
http://www.furthernoise.org/page.php?ID=274&lt;br /&gt;
review by Stacey Sewell&lt;br /&gt;
&lt;br /&gt;
Roger Mills&lt;br /&gt;
Editor, Furthernoise&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/460844550" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-21T11:58:33+01:00</dc:date>
        <title>International call for artists to collaborate with companies in Catalonia now open</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/460695864/52381</link>
        <description>[b]DISONANCIAS[/b] is a platform that[b] liaises and promotes relationships between artists and companies, research centres or public organisations in order to foster innovation in all its aspects and transmit to society the importance of developing creative environments.[/b]&lt;br /&gt;
&lt;br /&gt;
It is based on the idea that artists are, by definition, researchers and can contribute to proposing new and different paths of innovation, introducing detours and discords in the normal processes of thought and action, contributing creativity and work methodologies and serving as a catalyst for the members of a team.&lt;br /&gt;
&lt;br /&gt;
DISONANCIAS is based on:&lt;br /&gt;
&lt;br /&gt;
[list]- giving priority to the participation of committed entities with social responsibility and sustainable development;&lt;br /&gt;
- seeking collaboration between artists or groups of artists who share this commitment and who are interested in interacting with areas beyond that of the strictly artistic;&lt;br /&gt;
- understanding innovation not as an end in itself but as a tool for changing the way things are done, attitudes and values.[/list]&lt;br /&gt;
&lt;br /&gt;
The results of the DISONANCIAS projects must therefore aspire to go beyond success in the marketplace or public acceptance in order to contribute to the construction of a society that is orientated towards values of diversity, balance, sustainability, flexibility and the spirit of risk.&lt;br /&gt;
&lt;br /&gt;
[b]Our international call for artists to collaborate with companies in Catalonia is now open[/b]&lt;br /&gt;
&lt;br /&gt;
Deadline to apply:[b] 9th of December 2008, at 9am [/b](spanish time).&lt;br /&gt;
&lt;br /&gt;
Five entities may conduct investigations in collaboration with artists or goups of artists. The research projects, which will be developed between January and September 2009, are the following ones: [b]new paradigms in the area of the increased cognition in the future manned missions of planetary exploration[/b] (GTD, Ingenieria de Sistemas y Software), [b]new dynamics and environments of work in the R+D Department[/b] (Telefónica i+d), the [b]development of a multitouch prototype of multiple applications[/b] (Eidola), [b]creative dynamics in the image department[/b] (TV3) and the [b]development of an external meeting point related to architectures for public spaces[/b] (Trànsit projectes).&lt;br /&gt;
&lt;br /&gt;
You will find complete information, documentation and details about each body and research proposal in our website [url]http://www.disonancias.com[/url]&lt;br /&gt;
&lt;br /&gt;
The program is supported by the Department of Culture of the Generalitat of Catalonia and the business agency ACC1Ò, in addition to the collaboration of 22 @ Barcelona and Hangar.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/460695864" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-21T06:16:43+01:00</dc:date>
        <title>Software Takes Command</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/460457764/52380</link>
        <description>Software Takes Command (a new book by Lev Manovich)&lt;br /&gt;
&lt;br /&gt;
VERSION:&lt;br /&gt;
November 20, 2008. &lt;br /&gt;
Please note that this version has not been proofread yet, and it is also missing illustrations. &lt;br /&gt;
Length: 82,071 Words (including footnotes).    &lt;br /&gt;
&lt;br /&gt;
Creative Commons License&lt;br /&gt;
Software Takes Command by Lev Manovich is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.&lt;br /&gt;
Please notify me if you want to reprint any parts of the book.&lt;br /&gt;
&lt;br /&gt;
ABOUT THE VERSIONS:&lt;br /&gt;
One of the advantages of online distribution which I can control is that I don’t have to permanently fix the book’s contents. Like contemporary software and web services, the book can change as often as I like, with new “features” and “big fixes” added periodically. I plan to take advantage of these possibilities. From time to time, I will be adding new material and making changes and corrections to the text.&lt;br /&gt;
&lt;br /&gt;
LATEST VERSION:&lt;br /&gt;
Check softwarestudies.com/softbook for the latest version of the book.&lt;br /&gt;
&lt;br /&gt;
SUGGESTIONS, CORRECTIONS AND COMMENTS:&lt;br /&gt;
send to manovich@ucsd.edu with the word “softbook” in the email header.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/460457764" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52379">
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        <dc:date>2008-11-21T05:00:38+01:00</dc:date>
        <title>ASSISTANT PROFESSOR, Full-time, Tenure-track</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/460417077/52379</link>
        <description>POSITION VACANCY&lt;br /&gt;
ASSISTANT PROFESSOR, Full-time, Tenure-track&lt;br /&gt;
PHOTOGRAPHY/NEW MEDIA&lt;br /&gt;
&lt;br /&gt;
The University of Delaware Department of Art (UD/ART) seeks an innovative artist and educator whose practice investigates the implications of lens-based culture in the twenty first century.  This person will lead the discussion exploring the vast creative possibilities and the cultural concerns surrounding photographic media. We are interested in lens-based media’s relationship to representation, surveillance, mechanical reproduction, and the nature of the image or imaging in the “information age.”   &lt;br /&gt;
&lt;br /&gt;
The ideal candidate will technically and conceptually address the way that the image/information is captured (input), edited (processed), and presented (output), and should have specific expertise in one or more of the following areas:&lt;br /&gt;
•	developing or exploiting mechanisms for capturing images &lt;br /&gt;
•	manipulating visual information through digital software and programming, experimental analog processes, or a hybridization of digital and analog &lt;br /&gt;
•	investigating modes of display and distribution from printing, projection, and the “screen,” to digital transmission or 3-D forms&lt;br /&gt;
&lt;br /&gt;
Qualifications: The artist we seek will teach a full-time load of beginning to advanced undergraduate courses in our photography/new media area and be an active faculty member in an interdisciplinary MFA program.  The ideal candidate should have an interest in addressing the aesthetic, historic, and ideological implications of lens-based image production while leading our photography/new media area. This person must be enthusiastic about and open to the broad range of work produced in an interdisciplinary department, which includes Fine Art and Visual Communication. S/he will also oversee, help maintain, and guide the discussion about the development of a comprehensive lens-based media facility. &lt;br /&gt;
&lt;br /&gt;
We require an MFA or equivalent, college level teaching experience, and a serious commitment to personal creative practice. The salary is competitive and commensurate with experience.&lt;br /&gt;
&lt;br /&gt;
Starting Date: September 1, 2009&lt;br /&gt;
&lt;br /&gt;
Application Deadline: January 25, 2009&lt;br /&gt;
&lt;br /&gt;
Application Procedure: Our preferred method for application and portfolio submission is online via: http://udart.slideroom.com. &lt;br /&gt;
Include:  letter of introduction, curriculum vitae, three references with contact information, artist statement, teaching philosophy, and up to twenty still images and/or up to 5 minutes of video: (.jpg), video (.mov, .wmv, .flv) or PDF documents. For good image quality and fast upload, images should be sized no larger than 1280 x 1280 pixels @ 72 dpi. Video files must be kept under 20MB. &lt;br /&gt;
Indicate availability for CAA Conference interview. Interviews at CAA by appointment only. The curriculum vitae and other application materials may be shared with departmental faculty.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To send your application by mail, or for further information contact: Professor Lance Winn, Photography/New Media Search Committee, Department of Art, University of Delaware, Newark, DE 19716. Enclose a SASE if you send materials you wish to be returned.&lt;br /&gt;
&lt;br /&gt;
General Information: The University of Delaware is a research land/sea grant institution with 20,000 undergraduate and graduate students. The main campus is located in the residential town of Newark, a suburban community of 60,000 about 15 miles from Wilmington, Delaware’s largest city. We are situated midway between Philadelphia and Baltimore. Newark is also about two hours by train or car north to New York City or south to Washington, D.C. Wilmington provides Amtrak service to all points along the eastern seaboard.&lt;br /&gt;
&lt;br /&gt;
The Department of Art has 400 undergraduate majors pursuing either the BA or BFA degree. Our undergraduate Fine Arts core includes Ceramics, Photography, Painting, Printmaking, Sculpture, with upper-level, self-directed study.  We also offer an undergraduate program in Visual Communications, which includes courses in Graphic Design, Illustration, Advertising Design, Applied Photography, New Media, and interdisciplinary electives.  We offer several study abroad opportunities, complementing department and interdisciplinary programs.  The department’s two-year, discipline-integrated MFA program fosters a communal teaching model where students dialogue with faculty, professionals and other graduate students outside of their perceived “field.” The department’s facilities and resources can accommodate a maximum of 30 graduate students. &lt;br /&gt;
&lt;br /&gt;
Currently the department has a lighting studio, 15-station color darkroom, 20-station black and white darkroom. and 6 private darkrooms.  UD/ART maintains four studio buildings, including a new facility housing Ceramics, Printmaking, and Sculpture. The department also maintains a gallery in its main building. In addition, UD/ART has a state-of-the-art Macintosh-based computing facility with over 30 separate workstations, and a digital output center. The university library also houses a Student Multimedia Design Center which lends video and still cameras and provides studios and advanced workstations for digital editing.&lt;br /&gt;
&lt;br /&gt;
The University has recently completed a new strategic plan, which focuses on innovation, among other goals. UD/ART is proactive about the university’s mission “to be recognized around the world as one of the great public institutions of higher education in America.”&lt;br /&gt;
&lt;br /&gt;
Please visit our website at: http://www.udel.edu/art&lt;br /&gt;
&lt;br /&gt;
The University of Delaware is an equal opportunity/affirmative action employer who encourages applications from minority group members and women.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/460417077" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-21T04:07:21+01:00</dc:date>
        <title>Draw-a-thon: The battle of yarn, attachments and trust</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/460382640/52378</link>
        <description>[b]Draw-a-thon[/b]&lt;br /&gt;
[i]The battle of yarn, attachments and trust[/i]&lt;br /&gt;
&lt;br /&gt;
Nude performers working in improv, connected by ropes, battling in yarn, a labyrinth to draw a theater to see, 7 models will be connected, bound, stuck together, Human sculpture. Come join our creative community &lt;br /&gt;
&lt;br /&gt;
2 rooms, short poses and a long pose,&lt;br /&gt;
&lt;br /&gt;
Saturday, November 29th&lt;br /&gt;
7pm-12am&lt;br /&gt;
&lt;br /&gt;
One Taste &lt;br /&gt;
196 Grand Street (between Mott &amp; Mulberry) NYC&lt;br /&gt;
([url]http://www.onetaste.us[/url])&lt;br /&gt;
&lt;br /&gt;
Tickets available at [url]www.michaelalanart.com[/url]&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/460382640" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-20T17:18:07+01:00</dc:date>
        <title>Assistant Professor of Fine Arts / New Genres</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459839095/52373</link>
        <description>Assistant Professor of Fine Arts / New Genres&lt;br /&gt;
School of Art, Media, and Technology&lt;br /&gt;
Parsons The New School for Design&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
1. Position Description&lt;br /&gt;
The School of Art, Media, and Technology at Parsons The New School for Design seeks an exceptional artist working in New Genres (time-based media) for a full-time, renewable term faculty appointment at the rank of Assistant Professor starting July 1, 2009. Successful applicants must hold terminal degrees in their respective fields and/or equivalent professional standing, and must demonstrate a strong record of excellence in teaching and scholarship/creative work. This position is dependent on budget approval from the Office of the Provost.&lt;br /&gt;
&lt;br /&gt;
Requirements&lt;br /&gt;
SAMT’s Fine Arts program seeks an accomplished, versatile artist with relevant teaching experience, and expertise in contemporary approaches, concepts, techniques, and critical issues as they pertain to the range of practices that are associated with video, performance, digital media and various intermedia combinations of art forms. Because teaching will include undergraduate studio courses, candidates must demonstrate proficiency in the technical as well as theoretical and historical aspects of their field(s). Demonstrable skills and techniques will be thoroughly integrated into the conceptual frameworks of professional practice. Applicants from diverse backgrounds are strongly urged to apply. &lt;br /&gt;
&lt;br /&gt;
2. Responsibilities&lt;br /&gt;
&lt;br /&gt;
•	Teach undergraduate and graduate level courses and mentor students within the context of an interdisciplinary art program. &lt;br /&gt;
&lt;br /&gt;
•	Maintain an active professional practice nationally and internationally. &lt;br /&gt;
&lt;br /&gt;
•	Participate in the development of the program and in faculty governance of the School.&lt;br /&gt;
&lt;br /&gt;
3. Application&lt;br /&gt;
A letter of application relating experience and interests to the opportunities and requirements of the position together with a Curriculum Vita should be submitted online at http://careers.newschool.edu It is required that you complete the online application forms to move forward in the search process.&lt;br /&gt;
&lt;br /&gt;
Application Deadline: January 15, 2009. Review of applications to begin in December.&lt;br /&gt;
&lt;br /&gt;
Start Date: July 1, 2009&lt;br /&gt;
&lt;br /&gt;
Salary: Competitive and negotiable.&lt;br /&gt;
&lt;br /&gt;
Benefits: Comprehensive university benefits package including health&lt;br /&gt;
and retirement plans, tuition remission.&lt;br /&gt;
&lt;br /&gt;
Diversity and Affirmative Action. Parsons School of Design/The New School is committed to maintaining a diverse educational and creative community, a policy of equal opportunity in all its activities and programs, including employment and promotion. It does not discriminate on the basis of race, color, national or ethnic origin, citizenship status, religion, sex, sexual orientation, age, physical handicap, veteran or marital status.&lt;br /&gt;
&lt;br /&gt;
Parsons The New School for Design. Parsons prepares students to be independent thinkers who creatively and critically address the complex human conditions of 21st century culture. We are creating a diverse learning environment for developing intelligent and reflective practices through studio-based research and critical scholarship in order to make meaningful and sustainable contributions to contemporary global societies. Situated within The New School, Parsons builds on the University’s legacy of progressive ideals, scholarship, and educational methods. Our faculty challenges convention through a setting and philosophy that encourages formal experimentation, nurtures alternative world-views, and cultivates forward-thinking leaders and creative professionals across multiple fields in a world increasingly influenced by art and design.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459839095" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-20T17:15:52+01:00</dc:date>
        <title>Assistant Professor of Fine Arts / New Genres</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459839096/52372</link>
        <description>[b]Assistant Professor of Fine Arts / New Genres&lt;br /&gt;
School of Art, Media, and Technology&lt;br /&gt;
Parsons The New School for Design[/b]&lt;br /&gt;
&lt;br /&gt;
[b]1. Position Description[/b]&lt;br /&gt;
The School of Art, Media, and Technology at Parsons The New School for Design seeks an exceptional artist working in New Genres (time-based media) for a full-time, renewable term faculty appointment at the rank of Assistant Professor starting July 1, 2009. Successful applicants must hold terminal degrees in their respective fields and/or equivalent professional standing, and must demonstrate a strong record of excellence in teaching and scholarship/creative work. This position is dependent on budget approval from the Office of the Provost.  &lt;br /&gt;
[b]&lt;br /&gt;
Requirements[/b]&lt;br /&gt;
&lt;br /&gt;
SAMT's Fine Arts program seeks an accomplished, versatile artist with relevant teaching experience, and expertise in contemporary approaches, concepts, techniques, and critical issues as they pertain to the range of practices that are associated with video, performance, digital media and various intermedia combinations of art forms. Because teaching will include undergraduate studio courses, candidates must demonstrate proficiency in the technical as well as theoretical and historical aspects of their field(s). Demonstrable skills and techniques will be thoroughly integrated into the conceptual frameworks of professional practice. Applicants from diverse backgrounds are strongly urged to apply.&lt;br /&gt;
[b]&lt;br /&gt;
2. Responsibilities [/b]&lt;br /&gt;
&lt;br /&gt;
--Teach undergraduate and graduate level courses and mentor students within the context of an interdisciplinary art program.&lt;br /&gt;
--Maintain an active professional practice nationally and internationally.&lt;br /&gt;
--Participate in the development of the program and in faculty governance of the School. &lt;br /&gt;
&lt;br /&gt;
[b]3. Application[/b]&lt;br /&gt;
&lt;br /&gt;
A letter of application relating experience and interests to the opportunities and requirements of the position together with a Curriculum Vita should be submitted online at [url]http://careers.newschool.edu[/url]. It is required that you complete the online application forms to move forward in the search process.&lt;br /&gt;
&lt;br /&gt;
[b]Application Deadline:[/b] January 15, 2009.&lt;br /&gt;
&lt;br /&gt;
Review of applications to begin in December.&lt;br /&gt;
&lt;br /&gt;
[b]Start Date:[/b] July 1, 2009&lt;br /&gt;
[b]&lt;br /&gt;
Salary:[/b] Competitive and negotiable.&lt;br /&gt;
[b]&lt;br /&gt;
Benefits: [/b]Comprehensive university benefits package including health and retirement plans, tuition remission.&lt;br /&gt;
&lt;br /&gt;
[b]Diversity and Affirmative Action.[/b] Parsons School of Design/The New School is committed to maintaining a diverse educational and creative community, a policy of equal opportunity in all its activities and programs, including employment and promotion. It does not discriminate on the basis of race, color, national or ethnic origin, citizenship status, religion, sex, sexual orientation, age, physical handicap, veteran or marital status.&lt;br /&gt;
[b]&lt;br /&gt;
Parsons The New School for Design.[/b] Parsons prepares students to be independent thinkers who creatively and critically address the complex human conditions of 21st century culture. We are creating a diverse learning environment for developing intelligent and reflective practices through studio-based research and critical scholarship in order to make meaningful and sustainable contributions to contemporary global societies. Situated within The New School, Parsons builds on the University's legacy of progressive ideals, scholarship, and educational methods. Our faculty challenges convention through a setting and philosophy that encourages formal experimentation, nurtures alternative world-views, and cultivates forward-thinking leaders and creative professionals across multiple fields in a world increasingly influenced by art and design.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459839096" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52371">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-20T17:15:08+01:00</dc:date>
        <title>Assistant Professor of Fine Arts / New Genres</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459839097/52371</link>
        <description>[b]Assistant Professor of Fine Arts / New Genres&lt;br /&gt;
School of Art, Media, and Technology&lt;br /&gt;
Parsons The New School for Design[/b]&lt;br /&gt;
&lt;br /&gt;
[b]1. Position Description[/b]&lt;br /&gt;
The School of Art, Media, and Technology at Parsons The New School for Design seeks an exceptional artist working in New Genres (time-based media) for a full-time, renewable term faculty appointment at the rank of Assistant Professor starting July 1, 2009. Successful applicants must hold terminal degrees in their respective fields and/or equivalent professional standing, and must demonstrate a strong record of excellence in teaching and scholarship/creative work. This position is dependent on budget approval from the Office of the Provost.  &lt;br /&gt;
[b]&lt;br /&gt;
Requirements[/b]&lt;br /&gt;
&lt;br /&gt;
SAMT's Fine Arts program seeks an accomplished, versatile artist with relevant teaching experience, and expertise in contemporary approaches, concepts, techniques, and critical issues as they pertain to the range of practices that are associated with video, performance, digital media and various intermedia combinations of art forms. Because teaching will include undergraduate studio courses, candidates must demonstrate proficiency in the technical as well as theoretical and historical aspects of their field(s). Demonstrable skills and techniques will be thoroughly integrated into the conceptual frameworks of professional practice. Applicants from diverse backgrounds are strongly urged to apply.&lt;br /&gt;
[b]&lt;br /&gt;
2. Responsibilities [/b]&lt;br /&gt;
&lt;br /&gt;
--Teach undergraduate and graduate level courses and mentor students within the context of an interdisciplinary art program.&lt;br /&gt;
--Maintain an active professional practice nationally and internationally.&lt;br /&gt;
--Participate in the development of the program and in faculty governance of the School. &lt;br /&gt;
&lt;br /&gt;
[b]3. Application[/b]&lt;br /&gt;
&lt;br /&gt;
A letter of application relating experience and interests to the opportunities and requirements of the position together with a Curriculum Vita should be submitted online at [url]http://careers.newschool.edu[/url]. It is required that you complete the online application forms to move forward in the search process.&lt;br /&gt;
&lt;br /&gt;
[b]Application Deadline:[/b] January 15, 2009.&lt;br /&gt;
&lt;br /&gt;
Review of applications to begin in December.&lt;br /&gt;
&lt;br /&gt;
[b]Start Date:[/b] July 1, 2009&lt;br /&gt;
[b]&lt;br /&gt;
Salary:[/b] Competitive and negotiable.&lt;br /&gt;
[b]&lt;br /&gt;
Benefits: [/b]Comprehensive university benefits package including health and retirement plans, tuition remission.&lt;br /&gt;
&lt;br /&gt;
[b]Diversity and Affirmative Action.[/b] Parsons School of Design/The New School is committed to maintaining a diverse educational and creative community, a policy of equal opportunity in all its activities and programs, including employment and promotion. It does not discriminate on the basis of race, color, national or ethnic origin, citizenship status, religion, sex, sexual orientation, age, physical handicap, veteran or marital status.&lt;br /&gt;
[b]&lt;br /&gt;
Parsons The New School for Design.[/b] Parsons prepares students to be independent thinkers who creatively and critically address the complex human conditions of 21st century culture. We are creating a diverse learning environment for developing intelligent and reflective practices through studio-based research and critical scholarship in order to make meaningful and sustainable contributions to contemporary global societies. Situated within The New School, Parsons builds on the University's legacy of progressive ideals, scholarship, and educational methods. Our faculty challenges convention through a setting and philosophy that encourages formal experimentation, nurtures alternative world-views, and cultivates forward-thinking leaders and creative professionals across multiple fields in a world increasingly influenced by art and design.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459839097" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52370">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-20T16:38:27+01:00</dc:date>
        <title>Fritz Haeg: Current Thoughts and Actions</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459766527/52370</link>
        <description>[b]Fritz Haeg: Current Thoughts &amp; Actions&lt;br /&gt;
Fritz Haeg&lt;br /&gt;
Wednesday, December 3&lt;br /&gt;
7:00 p.m.&lt;br /&gt;
The Urban Center&lt;br /&gt;
457 Madison Avenue[/b]&lt;br /&gt;
&lt;br /&gt;
Fritz Haeg blurs the boundaries of architecture, landscape design, art, ecology, activism, performance, and education. His work rotates between his architecture and design practice Fritz Haeg Studio, the happenings and gatherings of Sundown Salon (now schoolhouse), the ecology initiatives of Gardenlab (including Edible Estates), and other various combinations of building, designing, gardening, exhibiting, dancing, organizing, and talking.&lt;br /&gt;
&lt;br /&gt;
His most recent series of projects, “Animal Estates,” debuted at the Whitney Biennial with commissioned performances and installations in front of the museum. It is followed by six other editions in 2008, commissioned by museums and art institutions in the U.S. and abroad.  His first book, Edible Estates: Attack on the Front Lawm, was published by Metropolis Books and distributed by D.A.P. in spring 2008. The project develops prototypes of edible landscapes to replace traditional grass lawns. Sundown Salon in words and pictures will be released in 2009 by Evil Twin.&lt;br /&gt;
&lt;br /&gt;
Haeg has produced projects and exhibited work at Tate Modern, London; the Whitney Museum of American Art; San Francisco Museum of Modern Art; Casco Office of Art, Design and Theory, Utrecht; Mass MoCA; the Institute of Contemporary Art, Philadelphia; the Wattis Institute, San Francisco; the Netherlands Architecture Institute, Maastricht; The Indianapolis Museum of Art; and the MAK Center, Los Angeles, among other institutions.&lt;br /&gt;
&lt;br /&gt;
He studied architecture in Italy at the Istituto Universitario di Architettura di Venezia and Carnegie Mellon University, where he received his B. Arch. He has variously taught in architecture, design, and fine art programs at CalArts, Art Center College of Design, Parsons, and the University of Southern California. In 2006 he initiated Sundown Schoolhouse, the self-organized educational environment originally based in his geodesic dome in Los Angeles. The Bernardi House, renovations and additions to a 1920’s residence, was featured this past summer in the New York Times.&lt;br /&gt;
&lt;br /&gt;
Tickets are required for admission to League programs. Tickets are free for League members; $10 for non-members. Members may reserve a ticket by e-mailing: rsvp@archleague.org. Member tickets will be held at the check-in desk; unclaimed tickets will be released fifteen minutes after the start of the program. Non-members may purchase tickets online here, beginning Wednesday, November 26 until six hours before the program start. Purchased tickets are available for pick-up at the check-in desk and are non-refundable. For more information on our ticketing policy, click here; for general information, email info@archleague.org or call 212.753.1722 x13. AIA and New York State continuing education credits are available.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This program was made possible in part by public funds from the New York State Council on the Arts, a State Agency, and the New York City Department of Cultural Affairs.&lt;br /&gt;
&lt;br /&gt;
For more information, visit [url]www.archleague.org[/url].&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459766527" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52369">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-20T14:52:15+01:00</dc:date>
        <title>COPYSHOP is CLOSED</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459649468/52369</link>
        <description>COPYSHOP is closed in Knoxville TN USA. We are packing everything up and moving again. Please keep watching for updates on other shops and upcoming news about the Art Gallery of Knoxville. &lt;br /&gt;
&lt;br /&gt;
Photos from the last year:&lt;br /&gt;
&lt;br /&gt;
http://www.flickr.com/photos/16038409@N02/sets/72157608001068204/&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459649468" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52368">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-20T12:25:44+01:00</dc:date>
        <title>JUNK JET n°2 °.° is OUT</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459549792/52368</link>
        <description>[size=300][flash=]JUNK JET[/flash][/size]&lt;br /&gt;
[*][b]THE SPECULATIVE ARCHITECTURE ISSUE[/b]&lt;br /&gt;
&lt;br /&gt;
[img]http://www.uni-stuttgart.de/igma/junkjet/pix/jj2.gif[/img]&lt;br /&gt;
&lt;br /&gt;
[size=30][flash=]Junk Jet is a fanzine, a collaborative format set up to discuss speculative works on topics of electronic media, aesthetics, and on architectures. It is interested in counter works (and counter counter works) of counter aesthetics, tunnelling mainstream (above all architects', designers', and artists' stream) practices that show lack of any irony or fiction.&lt;br /&gt;
&lt;br /&gt;
For the second issue, Junk Jet was looking for the Speculative, focussing on works of unpredictable architectures and volatile spaces within real and virtual environments. [/flash][/size]&lt;br /&gt;
&lt;br /&gt;
[b]&lt;br /&gt;
Limited Edition 555 Copies &lt;br /&gt;
including Junk Architect's Tattoo and Junkancial Times insert&lt;br /&gt;
with special RFID cover&lt;br /&gt;
edited by Mona Mahall and Asli Serbest[/b]&lt;br /&gt;
&lt;br /&gt;
[img]http://www.uni-stuttgart.de/igma/junkjet/pix/betonJunk.gif[/img]&lt;br /&gt;
&lt;br /&gt;
[*][list][/list]&lt;br /&gt;
[size=60][b][url]http://junkjet.net/[/url][/b][/size]&lt;br /&gt;
[size=30]Now you can order junk jet n°2 online![/size]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
With the contributions of&lt;br /&gt;
[size=80] Maywa Denki, JODI, Olia Lialina, 0100101110101101.org, Neil Spiller, Sam Jacob, Dadara, Recetas Urbanas, Gerd de Bruyn, Florian Cramer, Carsten Nicolai, Annett Zinsmeister, Peter Mörtenböck, Helge Mooshammer, teaest, ...[/size]&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459549792" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52367">
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        <dc:date>2008-11-20T09:11:03+01:00</dc:date>
        <title>COOP</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459405395/52367</link>
        <description>The [b]COOP project[/b] is a collaboration between students and teachers in Budapest, Prague, Bratislava and Banska Bystrica. The project was initiated in Budapest on November 16 and the first results were exhibited on November 19 at the Labor Exhibition Space in Budapest. The project will continue through May 2009 with a concluding summary the work and collaborative process in Bratislava. For more information about the project contact Allan Siegel: allan@kekbicikli.hu&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459405395" height="1" width="1"/&gt;</description>
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    <item rdf:about="http://rhizome.org/announce/view/52366">
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        <dc:date>2008-11-20T01:27:36+01:00</dc:date>
        <title>Time Lapse: A video art group show curated by Amelia Winger-Bearskin</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/459057225/52366</link>
        <description>[img]http://antenapilsen.com/amelia/timelapse.jpg[/img]&lt;br /&gt;
[b]&lt;br /&gt;
Time Lapse:&lt;br /&gt;
A video art group show curated by Amelia Winger-Bearskin[/b]&lt;br /&gt;
&lt;br /&gt;
Works by:&lt;br /&gt;
[b]Bidzina Kanchaveli&lt;br /&gt;
Carlin Wing&lt;br /&gt;
Joseph Winchester&lt;br /&gt;
Leanneau White&lt;br /&gt;
Arthur Augustynowicz&lt;br /&gt;
Robert Milton&lt;br /&gt;
and more...[/b]&lt;br /&gt;
&lt;br /&gt;
[b]Opening Friday November 21, 2008 from 6pm-10pm[/b]&lt;br /&gt;
November 21 - December 20&lt;br /&gt;
&lt;br /&gt;
Time Lapse is last in a series of four exhibitions: Time Travelers, Time Machine, Time Lapse, and Time Lapse: Antena, curated by Amelia Winger-Bearskin. Time Travelers, was shown at Polvo in Chicago, 2007; Time Machine in Washington DC at Meat Market Gallery this past summer; Time Lapse in Nashville, Tn at Vanderbilt University and Time Lapse: Antenna will be shown in the same Chicago space where the project began bringing us back in time to the beginning.&lt;br /&gt;
&lt;br /&gt;
Time Lapse is single channel video art show; all videos are displayed through a single projector one after another in the style of film screenings and time-lapse photography.   Time unfolds and is captured systematically by an optical lens and/or digital media, the subjects of the videos are often overlapping, there is not an intimate knowing but a careful study of sequence, there are also holes, lapses and mistakes, there are doubts in the work.&lt;br /&gt;
&lt;br /&gt;
And while it may appear obvious to time travelers that there need only be ONE time based art show for travelers to coordinate their time machines to that exact date and place, no time traveling devices were detected at the first show and the subsequent efforts have been made to make sure there is progress in this time space continuum while leaving open the idea that once this information is recorded it will likely be changed by the time travelers, machines and lapses who frequent these events from a future and past date in "time".  &lt;br /&gt;
&lt;br /&gt;
Amelia Winger-Bearskin is a Video/Performance Artists who is currently teaching at Vanderbilt University, Nashville Tn in the areas of Video, Performance and Drawing.  She is a featured artists for  the Perpetual Art Machine [PAM] and is currently creating solo video and installation works about Andrew Jackson and his home in Nashville Tn. She is also currently working on a new series of video art curations in the near future. &lt;br /&gt;
&lt;br /&gt;
[b]ANTENA[/b]&lt;br /&gt;
1765 S. Laflin, St.&lt;br /&gt;
Chicago, IL 60608&lt;br /&gt;
[url]http://www.antenapilsen.com[/url]&lt;br /&gt;
antenapilsen (at) gmail.com&lt;br /&gt;
Hours: saturdays Noon-5pm or by appointment&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/459057225" height="1" width="1"/&gt;</description>
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        <dc:date>2008-11-19T23:53:05+01:00</dc:date>
        <title>Coming up deadlines (Nov.20 - December 1st) in callsandopps.com</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/458966064/52365</link>
        <description>Coming up deadlines (Nov.20 - Dec. 1st) in callsandopps.com, the new website for artists going international, brought to you by a dedicated group of artists.&lt;br /&gt;
We read the fine print, we boil the particulars down, we provide you the ability to search, sort and jump to those challenges that are meant for you, for us.&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
ZAGAROLO: THE TOY Art Prize&lt;br /&gt;
Deadline: November 20th&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: A collective exhibit of 50 contemporary art works on the theme “The Toy”, also to be interpreted in a wider sense, from 20th December 2008 to 6th January 2009, in Zagarolo (Italy).&lt;br /&gt;
Awards/Artist fee/ sales option: First Prize (aquisition): 2,500 euros + a personal exhibition in 2009&lt;br /&gt;
Submissions accepted by post or email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/220&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Fine Arts &gt;&gt; Painting&lt;br /&gt;
Return to Departure Painting Exhibition&lt;br /&gt;
Deadline: November 20th&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Kirkland Arts Center (Kirkland, Washington), international juried exhibition will examine contemporary painting, focusing on work that moves this traditional medium forward. &lt;br /&gt;
Exhibition dates: July 9, 2009 - August 8, 2009&lt;br /&gt;
Awards/Artist fee/ sales option: Best in Show: $1,000. Sales are encouraged. KAC charges a 40% commission&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/91&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Photographer's Forum Magazine &lt;br /&gt;
Deadline: November 20th&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The College Contest is open to all high school, college, and university students, as well as those who have graduated within the past six months.&lt;br /&gt;
Selected works will be published in a book. First through Fourth Place winners will also be published one time in Photographer’s Forum magazine.&lt;br /&gt;
Awards/Artist fee/ sales option:2,000$ + a Nikon camera&lt;br /&gt;
Submissions accepted online or by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/111&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Hyeres Photo Competition&lt;br /&gt;
Deadline: November 20th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Every Spring (April) in Hyeres, in the South of France, the 'International Fashion and Photography Festival' spotlights young promising artists in the fields of fashion and photography. Only photographers/artists who have not had an important exhibition in a gallery, or cultural institution of international importance, may take part.&lt;br /&gt;
Awards/Artist fee/ sales option: The festival covers the exhibition prints costs&lt;br /&gt;
Submissions accepted by email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/173&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
"Caminos de Hierro" Competition&lt;br /&gt;
Deadline: November 21st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The Spanish Railways Foundation is holding the 23nd "Caminos de Hierro" Photographic Competition. This Competition aims to encourage plastic creativity in all aspects of the railway (passengers, stations, trains, etc.) Selected works will be shown in a traveling exhibition.&lt;br /&gt;
Awards/Artist fee/ sales option: 1st prize (for aquisition): 6,000 Euro + invitation (including spouse) to the ceremony.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/202&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
Flux Factory Projects&lt;br /&gt;
Deadline: November 26th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Flux Factory, an artist collective and artist-run center in NYC, is currently accepting proposals for collaborative art projects for their 2009 programming. Projects must be structured to accommodate an open call to local and international artists.&lt;br /&gt;
Awards/Artist fee/ sales option: US$ 4,000 budget&lt;br /&gt;
Submissions accepted by email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/246&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
e v + a exhibition&lt;br /&gt;
Deadline: November 28th&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The exhibition will open on 14th March, 2009, in Limerick, Ireland. It will run for 10 weeks, until 24th May, 2009. e v+ a encourages proposals that aim at siting work within the widespread fabric of a modern urban environment.&lt;br /&gt;
Awards/Artist fee/ sales option: 25% commission on any sale of work.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/194&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Fondation HSBC pour la Photographie Annual Contest&lt;br /&gt;
Deadline: November 28th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The contest is open to photographers who's work strives to capture the real world, with no restrictions as to approach or technique.  The artist must not have previously published any monograph of their work. The Fondation HSBC supports the winning artists by co-editing a monographic book on each of the two winning artists, plus organising, over the 18 months following their selection, the collective exhibition of their works in Paris, other French regions and abroad.&lt;br /&gt;
Awards/Artist fee/ sales option: acquisition of at least six pieces (of the 2 winning artists) by HSBC France for a total of 5,000 euros&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/211&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Installation/ Performance&lt;br /&gt;
La chambre blanche artist-in-residency program 2009-2010&lt;br /&gt;
Deadline: November 28th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: LA CHAMBRE BLANCHE (Quebec, Canada) is an artist-run centre with a mandate to promote installation and site-specific practices. During their residency, the selected artists are invited to create a unique, ephemeral work, in the context of an actual live laboratory. The residency lasts six weeks. &lt;br /&gt;
Awards/Artist fee/ sales option: lodging, $ 1750 (CAN) artist fees, technical assistance, transportation from the North-East of America (the half for the others), a woodworking shop, a computer lab&lt;br /&gt;
Submissions accepted by email or by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/84&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
RAYMOND WEIL Club International Photography Prize&lt;br /&gt;
Deadline: November 29th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: RAYMOND WEIL Club is holding a competition for works on the theme of Independence.The winner will create an exclusive production for the exhibit in the RAYMOND WEIL booth in BASELWORLD 2009 - The World's Leading Watch &amp; Jewellery Show. &lt;br /&gt;
Awards/Artist fee/ sales option: First prize (for acquisition of 5 works): 15,000$ + Exhibit in the Aperture Gallery, New York City + Exhibition during BASELWORLD 2009&lt;br /&gt;
Submissions accepted online + email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/137&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Boutographies Festival of Photography&lt;br /&gt;
Deadline: November 29th&lt;br /&gt;
Submission Free, but artists need to cover the return postage of 10 euros (cheque or money order)&lt;br /&gt;
Relevant to: Europeans&lt;br /&gt;
Briefly: The Festival of Photography, scheduled to take place in in Montpellier, France, May 2009, is open to all photographers, professionals or amateurs, living in Europe.&lt;br /&gt;
Awards/Artist fee/ sales option: Only accommodation and transport of the photos will be paid for.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/216&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
Limner Gallery emerging artists Exhibition&lt;br /&gt;
Deadline: November 30th&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: An annual competition for group exhibition, and awards. This event is devoted to the discovery, introduction and promotion of emerging artists. A group exhibition of the artist winners will be held at the Limner Gallery, Hudson, New York, March 7 - 28, 2009. &lt;br /&gt;
Awards/Artist fee/ sales option: A $1000 cash award + 30% commission on any sales made during the exhibition or off the web site during the one year promotion.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/74&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Sturt Craft Centre Professional Residency&lt;br /&gt;
Deadline: November 30th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Sturt Craft Centre (Mittagong, Australia) invites applications from experienced craft practitioners to a 2 to 3 months residence program. Residencies occur in the disciplines of ceramics, jewellery, textiles, wood, photography and writing. &lt;br /&gt;
Awards/Artist fee/ sales option: A stipend of AUD$2000 + AUD$500 material expenses, Studio space, Accommodation&lt;br /&gt;
Submissions accepted by post or by email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/50&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Photography&lt;br /&gt;
Nikon Photo Contest&lt;br /&gt;
Deadline: November 30th&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Entries to Nikon's on-line competition are invited in two categories: The first category is free subject and the second is entitled "My Planet" (Works that express your feelings about your world). Winning entries will be exhibited on the competition's website.&lt;br /&gt;
Awards/Artist fee/ sales option: Grand Prize: Nikon Digital SLR Camera D3 + AF-S NIKKOR 14-24mm F2.8G ED + AF-S NIKKOR 24-70mm F2.8G ED&lt;br /&gt;
Submissions accepted online or by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/136&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
The Skylark Prize&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The Skylark Prize will be awarded to an artist whose work has proven to be innovative, while consistent in quality.&lt;br /&gt;
Winning works will be exhibited at thr Skylark Fine Art Gallery in Los Angeles (Date To be announced).&lt;br /&gt;
Awards/Artist fee/ sales option: An exclusive 6 week fully paid Fellowship at the Sias University, in Zhengzhou, China + Cash prize of $2,000 + A solo exhibition at Skylark Gallery in Los Angeles + Catalog + Editorial in Fabrik Magazine. Sales optional (30% commission) &lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/60&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
apexart - The Franchise&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: apexart are franchising a one-time exhibition opportunity where apexart will come to your city and appoint you the director of your own temporary non-profit exhibition space.&lt;br /&gt;
Awards/Artist fee/ sales option: up to $10,000 USD in funding + a trip to NYC + 2,000$ curator's fee&lt;br /&gt;
Submissions accepted online&lt;br /&gt;
http://www.callsandopps.com/index.php?item/73&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
Johns Hopkins Evergreen Museums Residency&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Every year, Evergreen Museum &amp; Library (in Baltimore, Maryland) offers a two-month summer residency for visual artists living outside of Maryland.&lt;br /&gt;
Awards/Artist fee/ sales option: housing, individual studio and a stipend (amount not specified in the call)&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/248&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
The Linden Postcard show&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The Linden Postcard show (St Kilda, Victoria, Australia) is an open entry award exhibition featuring small format (up to 30cm in any direction) contemporary work.  6 works will be selected to be reproduced and sold as Linden Postcards. &lt;br /&gt;
Exhibition dates: 7 February – 27 March 2009&lt;br /&gt;
Awards/Artist fee/ sales option: commission on sales: 27.5%. 1st Prize: $5,000 + Postcard winners receive $250 for reproduction rights.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/197&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art - various/all media&lt;br /&gt;
Sandnes Artist in Residence Programme&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Sandnes Town Council (in Norway) and Rogaland County Council, offer a residency to professional artists.&lt;br /&gt;
Awards/Artist fee/ sales option: rent-free studio with accommodation + a grant of 1,000 Euro per month.&lt;br /&gt;
Submissions accepted by post or email&lt;br /&gt;
http://www.callsandopps.com/index.php?item/233&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Fine Arts&lt;br /&gt;
Conceptos artisticos Residency competition&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: The winners of the competition will be awarded a 6 weeks all expenses paid residency in San Carlos, Costa Rica, during February - March 2009.&lt;br /&gt;
Entries welcome from established or emerging artists – with a record of solid achievement, working in Sculpture, painting, drawing, or mixed media.&lt;br /&gt;
Awards/Artist fee/ sales option: airfare, housing and meals + other services&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/196&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Fine Arts&lt;br /&gt;
"Free Art Tomorrow" Emerging Artist Competition&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Ico Gallery in Tribeca, NYC, is calling artists to submit 2 or 3 dimensional works.&lt;br /&gt;
Awards/Artist fee/ sales option: Winners will be featured at Ico Gallery in prime Tribeca, NYC. The gallery retains a 50% commission.&lt;br /&gt;
Submissions accepted online&lt;br /&gt;
http://www.callsandopps.com/index.php?item/247&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Fine Arts &gt;&gt; Painting&lt;br /&gt;
The Joyce Dutka Arts Foundation Visual Arts Competition&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Fee&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: JDAF in Riverdale, New York, is sponsoring a competition in the visual arts, open to categories: Oil, Acrylic, Mixed Media&lt;br /&gt;
Selected artists will have their work exhibited and offered for sale at an exhibition, opening in June 7, 2009, in HOLLIS TAGGART GALLERIES, New York City &lt;br /&gt;
Awards/Artist fee/ sales option: Awards up to $5,000. Commission on sales: 15% Donation to Foundation&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/219&lt;br /&gt;
&lt;br /&gt;
&gt;&gt; Art &gt;&gt; Fine Arts &gt;&gt; Sculpture&lt;br /&gt;
Sculpture Space Residency&lt;br /&gt;
Deadline: December 1st&lt;br /&gt;
Submission Free&lt;br /&gt;
Relevant to: worldwide&lt;br /&gt;
Briefly: Sculpture Space in North America invites sculptors to come to Utica, NY, for 2 months, to make new work. &lt;br /&gt;
Awards/Artist fee/ sales option: $2000 stipend toward residency expenses. &lt;br /&gt;
Free housing and $100 transportation stipend are available for New York State artists only.&lt;br /&gt;
Submissions accepted by post&lt;br /&gt;
http://www.callsandopps.com/index.php?item/198&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/458966064" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52365</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52364">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-19T20:58:14+01:00</dc:date>
        <title>Lost Landscapes of San Francisco with Rick Prelinger</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/458813664/52364</link>
        <description>[b]The Long Now Foundation's[/b] monthly series [url=http://www.longnow.org/projects/seminars/]Seminars About Long-term Thinking[/url]&lt;br /&gt;
&lt;br /&gt;
[img]http://media.longnow.org/files/2/Prelinger_web.jpg[/img]&lt;br /&gt;
[b]&lt;br /&gt;
Rick Prelinger[/b] presents&lt;br /&gt;
[i]Lost Landscapes of San Francisco[/i]&lt;br /&gt;
&lt;br /&gt;
Rick Prelinger is a guerrilla archivist who collects the uncollected and makes it accessible. Prelinger will be presenting his third annual "Lost Landscapes of San Francisco" event, an eclectic montage of lost and rarely-seen film clips showing life, landscapes and labor in a vanished San Francisco as captured by amateurs, newsreel cameramen and industrial filmmakers.&lt;br /&gt;
&lt;br /&gt;
We encourage the audience to interact with the film, especially to identify mystery scenes! After the event will be a reception and holiday party at The Long Now Museum and Store. The Prelingers, Long Now's staff and board will be on hand, and we plan to continue to project footage from the Prelinger Archive on every surface we can. There will be some light snacks and wine served.&lt;br /&gt;
&lt;br /&gt;
The Seminars About Long-term Thinking were started in 02003 to build a coherent, compelling body of ideas about long-term thinking, to help nudge civilization toward Long Now's goal of making long-term thinking automatic and common instead of difficult and rare.&lt;br /&gt;
&lt;br /&gt;
Seminar hosted by Stewart Brand.&lt;br /&gt;
[url]www.longnow.org[/url]&lt;br /&gt;
&lt;br /&gt;
[b]Friday, December 19[/b], 02008&lt;br /&gt;
Doors open 7:00pm, talk at [b]7:30pm[/b] lasting ~1.5 hours&lt;br /&gt;
&lt;br /&gt;
[b]The Cowell Theater[/b] at&lt;br /&gt;
Fort Mason Center, Pier 2&lt;br /&gt;
San Francisco, CA 94123&lt;br /&gt;
[url=http://www.fortmason.org/directions/index.shtml]Directions[/url]&lt;br /&gt;
&lt;br /&gt;
$10 suggested donation&lt;br /&gt;
&lt;br /&gt;
We recommend you arrive early; priority seating is available for [url=https://secure.longnow.org/members/]Members of Long Now[/url].&lt;br /&gt;
&lt;br /&gt;
There will be a reception at [url=http://www.longnow.org/contact/]The Long Now Museum &amp; Store[/url] following the Seminar.&lt;br /&gt;
&lt;br /&gt;
For more information contact:&lt;br /&gt;
Danielle Engelman&lt;br /&gt;
Community Development Director&lt;br /&gt;
danielle@longnow.org&lt;br /&gt;
415.561.6582 x1&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/458813664" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52364</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52363">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-19T20:57:37+01:00</dc:date>
        <title>Lost Landscapes of San Francisco with Rick Prelinger</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/458813665/52363</link>
        <description>[b]The Long Now Foundation's[/b] monthly series [url=http://www.longnow.org/projects/seminars/]Seminars About Long-term Thinking[/url]&lt;br /&gt;
&lt;br /&gt;
[img]http://media.longnow.org/files/2/Prelinger_web.jpg[/img]&lt;br /&gt;
[b]&lt;br /&gt;
Rick Prelinger[/b] presents&lt;br /&gt;
[i]Lost Landscapes of San Francisco[/i]&lt;br /&gt;
&lt;br /&gt;
Rick Prelinger is a guerrilla archivist who collects the uncollected and makes it accessible. Prelinger will be presenting his third annual "Lost Landscapes of San Francisco" event, an eclectic montage of lost and rarely-seen film clips showing life, landscapes and labor in a vanished San Francisco as captured by amateurs, newsreel cameramen and industrial filmmakers.&lt;br /&gt;
&lt;br /&gt;
We encourage the audience to interact with the film, especially to identify mystery scenes! After the event will be a reception and holiday party at The Long Now Museum and Store. The Prelingers, Long Now's staff and board will be on hand, and we plan to continue to project footage from the Prelinger Archive on every surface we can. There will be some light snacks and wine served.&lt;br /&gt;
&lt;br /&gt;
The Seminars About Long-term Thinking were started in 02003 to build a coherent, compelling body of ideas about long-term thinking, to help nudge civilization toward Long Now's goal of making long-term thinking automatic and common instead of difficult and rare.&lt;br /&gt;
&lt;br /&gt;
Seminar hosted by Stewart Brand.&lt;br /&gt;
[url]www.longnow.org[/url]&lt;br /&gt;
&lt;br /&gt;
[b]Friday, December 19[/b], 02008&lt;br /&gt;
Doors open 7:00pm, talk at [b]7:30pm[/b] lasting ~1.5 hours&lt;br /&gt;
&lt;br /&gt;
[b]The Cowell Theater[/b] at&lt;br /&gt;
Fort Mason Center, Pier 2&lt;br /&gt;
San Francisco, CA 94123&lt;br /&gt;
[url=http://www.fortmason.org/directions/index.shtml]Directions[/url]&lt;br /&gt;
&lt;br /&gt;
$10 suggested donation&lt;br /&gt;
&lt;br /&gt;
We recommend you arrive early; priority seating is available for [url=https://secure.longnow.org/members/]Members of Long Now[/url].&lt;br /&gt;
&lt;br /&gt;
There will be a reception at [url=http://www.longnow.org/contact/]The Long Now Museum &amp; Store[/url] following the Seminar.&lt;br /&gt;
&lt;br /&gt;
For more information contact:&lt;br /&gt;
Danielle Engelman&lt;br /&gt;
Community Development Director&lt;br /&gt;
danielle@longnow.org&lt;br /&gt;
415.561.6582 x1&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/458813665" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52363</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52362">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-19T00:11:48+01:00</dc:date>
        <title>Projects in New Media, Video, Net and Cyber Arts wanted!</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/457818358/52362</link>
        <description>CYLAND MediaArtLab announces Call for Projects in New Media, Video, Net and Cyber Arts. Authors of approved projects will receive an invitation to come in Artist-in-Residency center of NCCA in Kronstadt for implementation of their projects.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/457818358" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52362</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52361">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-19T00:10:28+01:00</dc:date>
        <title>Russian Call for Projects in New Media, Video, Net and Cyber Arts</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/457818359/52361</link>
        <description>CYLAND MediaArtLab announces Call for Projects in New Media, Video, Net and Cyber Arts. Authors of approved projects will receive an invitation to come in Artist-in-Residency center of NCCA in Kronstadt for implementation of their projects.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/457818359" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52361</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52360">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-18T20:50:07+01:00</dc:date>
        <title>Matthew Kirk: Sculptures and Drawings</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/457616382/52360</link>
        <description>[b]Matthew Kirk: Sculptures and Drawings[/b]&lt;br /&gt;
&lt;br /&gt;
Saturday November 22, 5pm - 10pm&lt;br /&gt;
other days by appointment only&lt;br /&gt;
&lt;br /&gt;
Native-American artist Matthew Kirk presents an exhibition of sculptures and &lt;br /&gt;
drawings at 196Cooper, Bushwick, Brooklyn.&lt;br /&gt;
&lt;br /&gt;
From drawings on paper, wood panels, and sculpture, this exhibition of recent&lt;br /&gt;
works will stretch across two floors and into the backyard. This is Matthew Kirk's &lt;br /&gt;
first solo show.&lt;br /&gt;
&lt;br /&gt;
Wine and snacks will be served.&lt;br /&gt;
&lt;br /&gt;
WHERE:&lt;br /&gt;
196 Cooper Street &lt;br /&gt;
Brooklyn&lt;br /&gt;
&lt;br /&gt;
L to Wilson Avenue&lt;br /&gt;
Walk down Wilson Avenue two blocks away from &lt;br /&gt;
the park to Cooper Street and take a left. The venue&lt;br /&gt;
is between Wilson and Central Avenues.&lt;br /&gt;
&lt;br /&gt;
Please visit http://navajothunder.com for more details and contact information.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/457616382" height="1" width="1"/&gt;</description>
    <feedburner:origLink>http://rhizome.org/announce/view/52360</feedburner:origLink></item>
    <item rdf:about="http://rhizome.org/announce/view/52359">
        <dc:format>text/html</dc:format>
        <dc:date>2008-11-18T20:49:35+01:00</dc:date>
        <title>Matthew Kirk: Sculptures and Drawings</title>
        <link>http://feeds.feedburner.com/~r/rhizome-announce/~3/457616383/52359</link>
        <description>[b]Matthew Kirk: Sculptures and Drawings[/b]&lt;br /&gt;
&lt;br /&gt;
Saturday November 22, 5pm - 10pm&lt;br /&gt;
other days by appointment only&lt;br /&gt;
&lt;br /&gt;
Native-American artist Matthew Kirk presents an exhibition of sculptures and &lt;br /&gt;
drawings at 196Cooper, Bushwick, Brooklyn.&lt;br /&gt;
&lt;br /&gt;
From drawings on paper, wood panels, and sculpture, this exhibition of recent&lt;br /&gt;
works will stretch across two floors and into the backyard. This is Matthew Kirk's &lt;br /&gt;
first solo show.&lt;br /&gt;
&lt;br /&gt;
Wine and snacks will be served.&lt;br /&gt;
&lt;br /&gt;
WHERE:&lt;br /&gt;
196 Cooper Street &lt;br /&gt;
Brooklyn&lt;br /&gt;
&lt;br /&gt;
L to Wilson Avenue&lt;br /&gt;
Walk down Wilson Avenue two blocks away from &lt;br /&gt;
the park to Cooper Street and take a left. The venue&lt;br /&gt;
is between Wilson and Central Avenues.&lt;br /&gt;
&lt;br /&gt;
Please visit http://navajothunder.com for more details and contact information.&lt;img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"&gt;&lt;img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/457616383" height="1" width="1"/&gt;</description>
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